Mike Goes To Movies

Whiplash (2012) TLDR: On multiple levels Whiplash is a brilliant film. A dual character study. An ode to jazz music supremacy. And a cautionary (or inspiring?) tale of what it takes to become the world's greatest. In an instant, Whiplash cements Damien Chazelle as one of today's youngest and most talented filmmakers brimming with artistry, intensity and craftsmanship. This is not one to miss. It was surprising that the first time I saw Whiplash, I left the theatre with a slightly nauseous feeling in my gut. Not because of the film itself - its visuals or audio per se - there is nothing to criticize about its radiance. It was in its simple yet utterly-effective and haunting discussion of what it takes to become the greatest in one's field that left me feeling torn and conflicted. While most of the film seems to be a cautionary or reprimanding tale of jazz instructor Fletcher's (JK Simmons) brutal methods of 'mentorship', its ending posits perhaps an equally stron

Spring Breakers (2012) TLDR: A hypnotic dramedy and Black Mirror-esque tale of a group of millennials seeking to voyage and take part in their hedonistic Mecca, called Spring Break in Florida. This film can easily be interpreted to be something it is not, but for those who 'get it', Spring Breakers is a fitting and compelling continuation of Harmony Korine's ellucidating saga of outlandish contemporary Americana. Harmony Korine is one of the most fascinating auteuristic filmmakers today. His films frequently tackle segments of American society - often teenage and adult debauchery - through a lens that looks to have dropped more than a few tabs of LSD and a cocktail of assorted booze. Bizarre characters are tantamount, as are his neon colour palettes and great musical choices. And yet, like an expose on a walk of life you had never been aware of, there is always something to be taken away from Korine's stories and subject matter.  Spring Breakers taps into the oft-deprav