Mike Goes To Movies

Pierrot le Fou (1965) TLDR: Despite being a 'classic' and perhaps one of the quintessential European New Wave films, Godard's Pierrot le Fou is the antithesis to today's contemporary mainstream movie-going experience. It is an entertainingly goofy affair yet also baffling and often indecipherable. It is both an homage and also a commentary on the medium of film, and one that requires a good deal of contemplative afterthought to ponder what exactly it is you've just watched... I will admit that Pierrot is the first film by the legendary Jean-Luc Godard that I have seen. While I knew his status as an auteur and as one of the best of his craft, I didn't quite know his 'style' going into this film. As anyone who has seen some of Godard's will know, within twenty minutes or so, I was taken for quite the turn - I quickly felt like I was part of Ferdinand and Marianne's chaotic joy ride through the European countryside filled with romance, crime, non-se...

The Before Trilogy TLDR: As a whole, and in each of its separate parts, Richard Linklater's 'Before Trilogy' is the cinematic experience in its absolute finest form. The story of Celine and Jesse speaks to the core of the human experience - surprising joys, inevitable obstacles and eventual pains, and, most importantly, the mystery and intrigue of love - and it does it in an affecting way that, almost unlike any other film, is simultaneously theatrical and also remarkably raw and realistic.  "It's just, people have these romantic projections they put on everything. That's not based on any kind of reality." - Jesse, Before Sunrise Even more than the multitudes of other incredible introspective bits of wisdom and philosophy that Celine and Jesse converse in across the three movies, this quote perhaps sums up the trilogy best of all. What are romance movies other than certain individuals' projections of what romance - often, idealized romance - is. Most o...

 Portrait of a Lady on Fire (2019) TLDR: Sciamma's Portrait is everything that a story of romance should be: poignant, defiant, sensual, heartbreaking and, of course, beautiful in every aspect within the medium of film. Celina Sciamma's Portrait of a Lady on Fire may be set in the 1700's, but the romance at the heart of its story is universal and one that most should be able to relate to, having experienced it in full or in desirous  moments throughout life. The tenderness that Sciamma shows in the evolving relationship between Marianne and Heloise perfectly illustrates and encapsulates the ebb and flow, the push and pull, of such lustrous romance. And for any of the romantics or the storytellers out there, what romance is steamier or more compelling than one that is forbidden? Portrait has similarities to other recent romance film, Call Me Be Your Name, not only in its central LGBTQ relationships, but also in the slow, moving beauty of the two films, both of which are set ...

Drive (2011) Recently rewatching Danish director, Nicolas Winding Refn's, Drive was an interesting experience for me. I had not seen it in quite a while (possibly since its release), however, I recalled quite clearly, that I absolutely loved the film when I saw it in theatres. Now, I still very much enjoyed the film upon this rewatch and, in fact, since beginning film school there are aspects of the film that I likely appreciated more now than I did the first time. However, there were a few notable issues I had with the film. Drive centres around the well-used 'Man With No Name' trope a la Clint Eastwood in Leone's 'Dollars Trilogy" or even Stephen King's Gunslinger in the Dark Tower series. As such, the audience is given very little information about Ryan Gosling's character other than he is an exceptionally cool and capable individual, foremost when it comes to driving. We know nothing about Gosling's background or his motivations other than...