Skip to main content

Review: The Haunting of Hill House (2018)

It has recently been announced that Netflix's The Haunting of Hill House will be returning for a second season. The show will become an anthology series with the new season being called The Haunting of Bly Manor, based on the classic 1898 horror novella, The Turning of The Screw, by Henry James. It was quite predictable that a new season would be announced considering the first's high acclamations, however, the bar has been set so high that one can nevertheless be a bit apprehensive about a new season coming out. As you will read below, I thought that the first season was one of the best things I watched in all of 2018...

---------------------------------------------------------------------------

The Haunting of Hill House (2018)

Horror is not for everyone - most can agree with that. However, horror at its best can be as provocative and as salient as the best of any other genre. Most times, the great horror stories will be built upon a metaphor or a resonating theme that is reflective of contemporary society. Recent hits, such as It Follows and The Babadook, are such examples, though I will not illuminate you in what the metaphors are, for those that have yet to see the films.

The Haunting of Hill House follows this trend and is a fascinating and exceptionally well-made look at issues that permeate our current world, most notably, within the family unit. On the surface, the show is about a family that moves into an haunted house. The series jumps back and forth in time between when the family was actually living in the house when the children were young, and much later on, with the children as adults who are still dealing with the fallout of whatever actually happened during their time in the house. In this way, the show unravels as a mystery with the audience unsure of what actually transpired during the titular 'haunting', though we definitely know it had a lasting impact on each of the family members.

As it is not a standalone two-hour film, the show is able to delve into some quite heady topics. In my opinion, the overarching theme of the show is dealing with trauma, as apparent through the family's continuing struggles many years on after they have already left the house. Each character's resulting trauma and the way they cope with it (or attempt to) forms the crux of the series. Within and around the realm of trauma, mental illness and addiction are also focused upon. As can be imagined, all of these elements have the potential to be tied into horror quite easily. What makes the show so successful is that all of this is depicted in a very real and also respectful manner. Whether its trauma, mental illness, addiction or severe family dysfunctionality, none of it is simply used for simple scare-tactics. All of the characters are written and portrayed in very real ways and many of the family dynamics shown will strike home in one way or another with the audience. It is this ability to relate to the show that perhaps makes it the most compelling, as well as the most frightful. Whether you are a fan of horror or not, I recommend that you watch The Haunting of Hill House. 9.5/10


Comments

Popular posts from this blog

Review: Soul (2020)

Soul (2020) TLDR: For a year where many may feel like they have lost a little piece of their own, Soul has arrived to remind us all what's most important in life. This is a Pixar film that is arguably more important for adults to watch than kids: it is beautiful - in both story and art, it is quirky, it is heartfelt and, as these trying times endlessly push on, it reminds us that there is still a lot of good in this world to enjoy and reflect upon.  Note: some spoilers below. It takes a little bit of time to ease into Disney/Pixar's Soul. Though the film starts out in a lush and beautifully rendered NYC filled with delightful jazz music as we follow Joe around his everyday boroughs, things very quickly run astray. Suddenly, we are thrown into an abstract world filled with Picasso-like wiry characters and massively heady existential concepts like 'where do we come from', 'the great beyond', and much more. If it's not immediately apparent, it soon becomes clea...

Review: The Before Trilogy (1995, 2004, 2013)

The Before Trilogy TLDR: As a whole, and in each of its separate parts, Richard Linklater's 'Before Trilogy' is the cinematic experience in its absolute finest form. The story of Celine and Jesse speaks to the core of the human experience - surprising joys, inevitable obstacles and eventual pains, and, most importantly, the mystery and intrigue of love - and it does it in an affecting way that, almost unlike any other film, is simultaneously theatrical and also remarkably raw and realistic.  "It's just, people have these romantic projections they put on everything. That's not based on any kind of reality." - Jesse, Before Sunrise Even more than the multitudes of other incredible introspective bits of wisdom and philosophy that Celine and Jesse converse in across the three movies, this quote perhaps sums up the trilogy best of all. What are romance movies other than certain individuals' projections of what romance - often, idealized romance - is. Most o...

Review: Pierrot le Fou (1965)

Pierrot le Fou (1965) TLDR: Despite being a 'classic' and perhaps one of the quintessential European New Wave films, Godard's Pierrot le Fou is the antithesis to today's contemporary mainstream movie-going experience. It is an entertainingly goofy affair yet also baffling and often indecipherable. It is both an homage and also a commentary on the medium of film, and one that requires a good deal of contemplative afterthought to ponder what exactly it is you've just watched... I will admit that Pierrot is the first film by the legendary Jean-Luc Godard that I have seen. While I knew his status as an auteur and as one of the best of his craft, I didn't quite know his 'style' going into this film. As anyone who has seen some of Godard's will know, within twenty minutes or so, I was taken for quite the turn - I quickly felt like I was part of Ferdinand and Marianne's chaotic joy ride through the European countryside filled with romance, crime, non-se...