Skip to main content

Review: Shoplifters (2018)

Shoplifters (2018)

Here is my first 'non-mainstream' film review (yes, I do make an effort to not only watch superhero films...). Shoplifters, a Japanese film by director/writer, Hirokazu Kore-eda, was undoubtedly one of the best films I saw this past year. It is unfortunate that this, and other excellent foreign films, may be difficult for many to see in the theatre due to the nature of limited releases for such foreign films in North American markets. I feel lucky to be in a city like Toronto where there is an effort to show foreign and other more-independent features at theatres such as the TIFF Lightbox (which is where I saw Shoplifters).

Shoplifters is not an easy film - that much I can say with confidence. The story is about a family in Tokyo that lives on the bottom-end of Japanese society; they are impoverished and each member - be it parent, child or grandparent - must do what they can to help provide for each other. As the title refers to, the means of providing that the family takes on are often not what our society would deem as moral or, in some cases, even legal. The difficult nature of the film is not limited to what the characters do to get by, but is built into the very foundation of the family itself, their relations to one another, their history, and more. However, to go further into this would spoil much of the film.

Suffice it to say, that it is in this way that the film paints a moral grayness in its story that will cause the viewer to think long and hard about what they have seen - the actions of its characters and the story - after its completion. In my opinion, I do not believe that the film has an agenda in trying to make the audience feel a specific way about the characters (though there are plenty of evocative scenes that will send you along the entire continuum of emotion). I simply see the film as a story about humans - a tough one at that -  that is meant to encourage discussion and open the eyes of viewers to a segment of society that, from what I have seen, is not often shown on-screen. Shoplifters is an incredibly made, nuanced, and important film. For anyone who enjoys watching a film truly about the human experience, I recommend you see this one.
9.5/10
(With regards to the Oscars, I would rather not go into a full discussion about the Best Foreign Film category here. Although I would have preferred Shoplifters to win the award, Roma was, in all accounts, also an excellent film. And with a director like Cuaron at its helm, I would not have expected any of the other nominees to really have stood a chance.)

Comments

Popular posts from this blog

Review: Soul (2020)

Soul (2020) TLDR: For a year where many may feel like they have lost a little piece of their own, Soul has arrived to remind us all what's most important in life. This is a Pixar film that is arguably more important for adults to watch than kids: it is beautiful - in both story and art, it is quirky, it is heartfelt and, as these trying times endlessly push on, it reminds us that there is still a lot of good in this world to enjoy and reflect upon.  Note: some spoilers below. It takes a little bit of time to ease into Disney/Pixar's Soul. Though the film starts out in a lush and beautifully rendered NYC filled with delightful jazz music as we follow Joe around his everyday boroughs, things very quickly run astray. Suddenly, we are thrown into an abstract world filled with Picasso-like wiry characters and massively heady existential concepts like 'where do we come from', 'the great beyond', and much more. If it's not immediately apparent, it soon becomes clea...

Review: The Before Trilogy (1995, 2004, 2013)

The Before Trilogy TLDR: As a whole, and in each of its separate parts, Richard Linklater's 'Before Trilogy' is the cinematic experience in its absolute finest form. The story of Celine and Jesse speaks to the core of the human experience - surprising joys, inevitable obstacles and eventual pains, and, most importantly, the mystery and intrigue of love - and it does it in an affecting way that, almost unlike any other film, is simultaneously theatrical and also remarkably raw and realistic.  "It's just, people have these romantic projections they put on everything. That's not based on any kind of reality." - Jesse, Before Sunrise Even more than the multitudes of other incredible introspective bits of wisdom and philosophy that Celine and Jesse converse in across the three movies, this quote perhaps sums up the trilogy best of all. What are romance movies other than certain individuals' projections of what romance - often, idealized romance - is. Most o...

Review: Pierrot le Fou (1965)

Pierrot le Fou (1965) TLDR: Despite being a 'classic' and perhaps one of the quintessential European New Wave films, Godard's Pierrot le Fou is the antithesis to today's contemporary mainstream movie-going experience. It is an entertainingly goofy affair yet also baffling and often indecipherable. It is both an homage and also a commentary on the medium of film, and one that requires a good deal of contemplative afterthought to ponder what exactly it is you've just watched... I will admit that Pierrot is the first film by the legendary Jean-Luc Godard that I have seen. While I knew his status as an auteur and as one of the best of his craft, I didn't quite know his 'style' going into this film. As anyone who has seen some of Godard's will know, within twenty minutes or so, I was taken for quite the turn - I quickly felt like I was part of Ferdinand and Marianne's chaotic joy ride through the European countryside filled with romance, crime, non-se...