Skip to main content

Top 10 List (All-Time Faves): 2. Jurassic Park (1993)

2. Jurassic Park (1993)

This may be the one film that I will never grow tired of. No matter how many hundreds of times I've seen it, Jurassic Park is the film that I can't turn away from whenever it comes on.

To me, everything about it is perfect.
Within the timeline of cinematic innovations, the film was a total breakthrough. Originally, Steven Spielberg had intended to make the film using life-size puppets for the dinosaurs (i.e. classic King Kong). However, upon encountering a few computer graphic-wizards and witnessing the recent strides that had come in VFX, Spielberg was immediately sold on using computer imagery for the film. To creature the dinosaurs he composited the VFX into a perfect blend with massive practical effects to create the creatures on-screen. For a film that is already over twenty-five years old, it amazes me every time to see how well Jurassic Park's effects still hold up. The realness of the famous T-Rex scene, when she escapes her pen and terrorizes the jeeps, is one of my all-time favourite movie sequences. And, even today, it is hard to distinguish any clue that what you are seeing is not a real-life, hundred foot, carnivorous dinosaur. (The way the T-Rex's pupil dilates as the flashlight shines across her eye still gives me goosebumps.)

It is a testament to the skill of Spielberg that he was able to make such a complete film directly before and during the filming of the very tonally different, Schindler's List. Both films were amazingly released in 1993. Every element of Jurassic Park simply works. The effects (as mentioned), the cinematography soaring in and around the lush jungles of Costa Rica, John William's instantly-recognizable score (Doo doo doo doodoo... you know the one), the tight and thrilling script co-written by original author, Michael Crichton, and David Koepp, and, of course, the fantastic ensemble cast.

This film would not be what it is without its memorable performances by Richard Attenborough, Sam Neill, Laura Dern and, of course, everyone's favourite, Jeff Goldblum. Add to that, supporting roles by Wayne Knight, BD Wong, Bob Peck and Samuel L. Jackson (!) and you've got yourself a stellar group of actors and actresses.
By the time of JP, Spielberg had already made a few films starring incredible and incredibly real creatures - Jaws and ET. However, those films were about creatures entering the world of humans. In Jurassic Park, on the other hand, Spielberg changes the formula by dropping humans into the world of the creatures. To do so is a much greater and more difficult feat and one that is harder to convince us, the audience, by. But, early on in the film, when you see the iconic park's jeep rolling over the fields and watch as Alan takes Ellie's head and turn it upwards to gaze at something towering above them, only to see the mammoth Brachiosaurus towering above, you know, right away, you are sold.
You have just entered into the world of real, living dinosaurs.

You are now walking among these extinct creatures.

You have just entered Jurassic Park.

Hold onto your butts!

Comments

Popular posts from this blog

Review: Sound of Metal (2020)

Sound of Metal (2020) TLDR: Easily one of the best films I have seen in a long while. Grounded by an absolutely stellar performance by Riz Ahmed (and co-star, Olivia Cooke), Darius Marder's Sound of Metal is a moving and deeply-empathetic look into the journey and struggle to find peace with one's self through the lens of a musician who loses his hearing.  Have no doubt, if you are not yet familiar with the names Riz Ahmed and Olivia Cooke you are about to be. Both actors - Ahmed in particular who leads the film - are transcendent in Darius Marder's Sound of Metal. Ahmed plays Ruben, a heavy metal drummer, in a duo group led by guitar/singer, Lou, played by Cooke. The two are as much a pair off-stage as they are on it. It is clear from early on that they are all that the other really has in life and they are content to travel across the country in their RV together playing shows and making ends meet as best they can. However, all goes awry when Ruben - who batters his eardr

Review: Soul (2020)

Soul (2020) TLDR: For a year where many may feel like they have lost a little piece of their own, Soul has arrived to remind us all what's most important in life. This is a Pixar film that is arguably more important for adults to watch than kids: it is beautiful - in both story and art, it is quirky, it is heartfelt and, as these trying times endlessly push on, it reminds us that there is still a lot of good in this world to enjoy and reflect upon.  Note: some spoilers below. It takes a little bit of time to ease into Disney/Pixar's Soul. Though the film starts out in a lush and beautifully rendered NYC filled with delightful jazz music as we follow Joe around his everyday boroughs, things very quickly run astray. Suddenly, we are thrown into an abstract world filled with Picasso-like wiry characters and massively heady existential concepts like 'where do we come from', 'the great beyond', and much more. If it's not immediately apparent, it soon becomes clea

Review: Pierrot le Fou (1965)

Pierrot le Fou (1965) TLDR: Despite being a 'classic' and perhaps one of the quintessential European New Wave films, Godard's Pierrot le Fou is the antithesis to today's contemporary mainstream movie-going experience. It is an entertainingly goofy affair yet also baffling and often indecipherable. It is both an homage and also a commentary on the medium of film, and one that requires a good deal of contemplative afterthought to ponder what exactly it is you've just watched... I will admit that Pierrot is the first film by the legendary Jean-Luc Godard that I have seen. While I knew his status as an auteur and as one of the best of his craft, I didn't quite know his 'style' going into this film. As anyone who has seen some of Godard's will know, within twenty minutes or so, I was taken for quite the turn - I quickly felt like I was part of Ferdinand and Marianne's chaotic joy ride through the European countryside filled with romance, crime, non-se