Skip to main content

Review: Black Swan (2010)

Black Swan (2010)

This is a film that I remember liking very much when I saw it in the theatre almost a decade ago, however, for whatever reason I don't actually think I've seen it since then. As time passes with films like this, you start to question whether the memory you have of the film is actually accurate, which leads you to finally dust off the DVD case and gave the film a long over-due watch.

After watching Black Swan last night, I can now confidently say that this is a remarkable film. I loved pretty much everything about it - the dark atmosphere juxtaposed with the beauty and serenity of ballet, the twisted and gruesome decay of Nina's mental-state, the cinematography of the ballet sequences, and, of course, the absolutely stellar performance by Natalie Portman. Portman, in particular, really blew me away. I originally saw the film prior to her winning the Oscar and so it was always in my mind that she was very good but now being able to go back to the performance many years later I can now see whole-heartedly why she deserved to win.
Darren Aronofsky is one of the most talented director/writers working today. Although he is by no-means underground any more, he still strives to push the boundaries of story-telling and narrative, always with darkly psychological and visceral undertones. He has many incredible films, but Black Swan (which he notably did not write) might be his most directional story-wise - the tension begins mounting from the first scene, and the story never really strays from Nina at any point. For anyone who enjoys psychological thrillers, ballet, and stunning performances, I highly recommend Black Swan.

Comments

Popular posts from this blog

Review: The New Mutants (2020)

The New Mutants (2020) TLDR: A sad, dismal final chapter in Fox's once-acclaimed X-Men saga. The New Mutants shows promise in fragments, but its poor script and plot and often awkward execution makes for a sickly overall package that is quite fitting for this equally-sickly year that it has finally been released in... The New Mutants were an alt-X-Men team created in the early 80's in an effort to revamp and re-contemporize a new team of teenage X-Men. The new series became a smash-hit with new star mutants like Magik, Cannonball, Sunspot, Wolfsbane and Mirage, all of whom continue to headline Marvel comics to this day. Josh Boone's The New Mutants, which was announced more than five years ago and shot in 2017, has finally seen the light of day in 2020... The film seeks to adapt the team's beloved 'Demon Bear' storyline, while introducing audiences to this fresh team of mutant superheroes. In doing so, Boone tries to create an omelet-homage from the likes of Ste...

Review: How to With John Wilson (Season 1)

How to With John Wilson (Season 1) TLDR: It's hard to describe exactly what How To is or why exactly it works, but there's a certain point in every episode when the comedy begins to click and then the human element - the surprising poignancy and the everyman/woman relatability - comes out in spades. This documentary series is unlike anything else out there and absolutely worth your time. Who exactly is John Wilson? That's the first question that comes to mind when HBO's new documentary series is recommended to a new viewer. The name is in the show's title, and yet John Wilson is rather a nobody in the grand scheme of things as well as in the entertainment industry (at least he was prior to the becoming a bonafide hit). However, not long ago, contemporary comedy icon Nathan Fielder discovered Wilson and, after seeing his work and style, decided to jump on board as a producer for a new series made by Wilson.  So, again, what exactly is this show? Well, each episode of...

Review: Soul (2020)

Soul (2020) TLDR: For a year where many may feel like they have lost a little piece of their own, Soul has arrived to remind us all what's most important in life. This is a Pixar film that is arguably more important for adults to watch than kids: it is beautiful - in both story and art, it is quirky, it is heartfelt and, as these trying times endlessly push on, it reminds us that there is still a lot of good in this world to enjoy and reflect upon.  Note: some spoilers below. It takes a little bit of time to ease into Disney/Pixar's Soul. Though the film starts out in a lush and beautifully rendered NYC filled with delightful jazz music as we follow Joe around his everyday boroughs, things very quickly run astray. Suddenly, we are thrown into an abstract world filled with Picasso-like wiry characters and massively heady existential concepts like 'where do we come from', 'the great beyond', and much more. If it's not immediately apparent, it soon becomes clea...