Skip to main content

Review: Burning (2018)

Burning (2018)

Burning is the kind of masterful film that stays with you long after it ends - its deep, contemplative layers slowly seep into your subconsciousness, imparting you with new meaning and emotion that you may not have picked up during the actual viewing. Normally, I am the type of filmgoer who will wait a decent amount of time before watching a film again, regardless of the film. However,  Burning is that rare exception that made me desire to rewatch it very shortly after finishing it so that I could once again observe the beauty of the shots, the compelling story, and try to, once again, uncover the treasures hidden with.
The film is somewhat difficult to discuss as its seemingly straightforward plot becomes much less so as the film proceeds, and to talk about it would be to ruin some critical developments and twists. This may not be all that surprising because the film, by famed Korean director, Lee Chang-dong, is loosely adapted from Haruki Murakami's short story, "Barn Burning". For anyone who is familiar with Murakami's work, you will have a sense of the multi-levels (...of everything) present in the story.

The film is about a young man, Lee Jong-Su (Yoo Ah-in), who runs into an old friend, Shin Haemi (Jeon Jong-seo), from his childhood home. Unlike reserved Jong-Su, Haemi is a highly extroverted, sexually active, and adventurous individual. Just as their relationship seems to be developing, Haemi goes away for an extended vacation and asks Jong-Su to look after her cat. When she eventually returns it is with a new friend, Ben (Steven Yeun - from Walking Dead fame), and it is quickly apparent to Jong-Su that the two are an item. Ben is a bit of an enigma to Jong-Su though; he is exceedingly wealthy for someone so young but Jong-Su has no idea what he actually does, leading to him calling Ben "one of the many Gatsby's in Korea". It is clear that Jong-Su holds some jealousy of Ben, likely on multiple levels. And I will leave the plot summary at that point.
Part of the majesty of the film is in its subtlety; how much is conveyed in the film without actually being said. All three of the characters have deep desires and longings (or as Haemi describes it from her African travels, the "Great Hunger") to find meaning in life that the viewer only begins to understand and relate to as the film plays out. There are important themes of class division and ennui in the film that tie directly into the plot. All three actors are excellent throughout - the nuances of Yuen and Ah-in's performances are vital to the story. Jong-seo is the real star though and she truly steals every scene she is in. Burning is a beautiful, melancholic and also suspenseful film that everyone should see, whether you are a fan of foreign films or not - you will assuredly not be disappointed with this one. 

Comments

Popular posts from this blog

Review: The New Mutants (2020)

The New Mutants (2020) TLDR: A sad, dismal final chapter in Fox's once-acclaimed X-Men saga. The New Mutants shows promise in fragments, but its poor script and plot and often awkward execution makes for a sickly overall package that is quite fitting for this equally-sickly year that it has finally been released in... The New Mutants were an alt-X-Men team created in the early 80's in an effort to revamp and re-contemporize a new team of teenage X-Men. The new series became a smash-hit with new star mutants like Magik, Cannonball, Sunspot, Wolfsbane and Mirage, all of whom continue to headline Marvel comics to this day. Josh Boone's The New Mutants, which was announced more than five years ago and shot in 2017, has finally seen the light of day in 2020... The film seeks to adapt the team's beloved 'Demon Bear' storyline, while introducing audiences to this fresh team of mutant superheroes. In doing so, Boone tries to create an omelet-homage from the likes of Ste...

Review: The Before Trilogy (1995, 2004, 2013)

The Before Trilogy TLDR: As a whole, and in each of its separate parts, Richard Linklater's 'Before Trilogy' is the cinematic experience in its absolute finest form. The story of Celine and Jesse speaks to the core of the human experience - surprising joys, inevitable obstacles and eventual pains, and, most importantly, the mystery and intrigue of love - and it does it in an affecting way that, almost unlike any other film, is simultaneously theatrical and also remarkably raw and realistic.  "It's just, people have these romantic projections they put on everything. That's not based on any kind of reality." - Jesse, Before Sunrise Even more than the multitudes of other incredible introspective bits of wisdom and philosophy that Celine and Jesse converse in across the three movies, this quote perhaps sums up the trilogy best of all. What are romance movies other than certain individuals' projections of what romance - often, idealized romance - is. Most o...

Review: Whiplash (2012)

Whiplash (2012) TLDR: On multiple levels Whiplash is a brilliant film. A dual character study. An ode to jazz music supremacy. And a cautionary (or inspiring?) tale of what it takes to become the world's greatest. In an instant, Whiplash cements Damien Chazelle as one of today's youngest and most talented filmmakers brimming with artistry, intensity and craftsmanship. This is not one to miss. It was surprising that the first time I saw Whiplash, I left the theatre with a slightly nauseous feeling in my gut. Not because of the film itself - its visuals or audio per se - there is nothing to criticize about its radiance. It was in its simple yet utterly-effective and haunting discussion of what it takes to become the greatest in one's field that left me feeling torn and conflicted. While most of the film seems to be a cautionary or reprimanding tale of jazz instructor Fletcher's (JK Simmons) brutal methods of 'mentorship', its ending posits perhaps an equally stron...