Skip to main content

Review: Eyes Wide Shut (1999)

Eyes Wide Shut (1999)

Today marks the 20th anniversary of Stanley Kubrick's final film, the infamous, sexually-charged Eyes Wide Shut. In structure and theme the film centres upon dreams and desire. Dr. Bill and Alice Harford, portrayed by A-listers (and then-married) Tom Cruise and Nicole Kidman, are a married couple heading a seemingly standard American nuclear family. Below the surface of the couple however lie deep-seated jealousies, desires and lust. Like most of Kubrick's films, Eyes Wide Shut requires multiple viewings - every scene and every shot is constructed to be a masterpiece in its own right with hidden meanings and secrets littered throughout. It is a testament to Kubrick's auteur that this film does not rank among his very best, however, given to most other filmmakers it would certainly be marked as such.
Eyes Wide Shut is a voyeuristic experience into the erotic dreams of an upper-class New Yorker - here, Cruise's Dr. Bill. Upon hearing his wife's desirous fantasy about being whisked away by a naval officer Bill's jealousy sends him on a spiralling Homer-esque journey into the sexual underworld of New York. In this world, every person Bill encounters, man or woman, desires him, though he notably never actually copulates. This all leads to the infamous cult-y orgy scene - a true cinematic overture - where Cruise, adorned in costume and mask, stands in for the audience, slowly meandering his way through the labyrinthian mansion and witnessing his fellow men and women lay bear to their basest animalistic passions. Herein lies one of Hollywood's more recent controversies (and, likely, blunders) as the scene was required to digitally implant individuals to hide some of the scene's more explicit bits. One can assume that this was done to make the film more accessible to a slightly younger audience, which itself, shows how incorrectly the 'suits' misinterpret films such as Eyes Wide Shut that are inherently adult films - made by adults, about adult topics and themes and, as such, clearly to be seen by adults. I will not endeavour to continue into the realm that Kubrick sadly passed away prior to the release of the film, six days after screening a final cut of it.

Like all of Kubrick's films, Eyes Wide Shut is absolutely worth watching. It is one more in the body of work of one of the greatest director's of all-time. Though it has certain blemishes and subjectively weaker bits, as a whole it is a powerful and thought-provoking and both beautiful and disturbing to behold. It is in-all, a demanding film that, as the final piece in Stanley Kubrick's cinematic tapestry, challenges the next generation of filmmakers to begin making their own body of work that similarly bucks the trend of Hollywood's standard fare and challenges us as both audience and individual. 

Comments

Popular posts from this blog

Review: Soul (2020)

Soul (2020) TLDR: For a year where many may feel like they have lost a little piece of their own, Soul has arrived to remind us all what's most important in life. This is a Pixar film that is arguably more important for adults to watch than kids: it is beautiful - in both story and art, it is quirky, it is heartfelt and, as these trying times endlessly push on, it reminds us that there is still a lot of good in this world to enjoy and reflect upon.  Note: some spoilers below. It takes a little bit of time to ease into Disney/Pixar's Soul. Though the film starts out in a lush and beautifully rendered NYC filled with delightful jazz music as we follow Joe around his everyday boroughs, things very quickly run astray. Suddenly, we are thrown into an abstract world filled with Picasso-like wiry characters and massively heady existential concepts like 'where do we come from', 'the great beyond', and much more. If it's not immediately apparent, it soon becomes clea...

Review: The Before Trilogy (1995, 2004, 2013)

The Before Trilogy TLDR: As a whole, and in each of its separate parts, Richard Linklater's 'Before Trilogy' is the cinematic experience in its absolute finest form. The story of Celine and Jesse speaks to the core of the human experience - surprising joys, inevitable obstacles and eventual pains, and, most importantly, the mystery and intrigue of love - and it does it in an affecting way that, almost unlike any other film, is simultaneously theatrical and also remarkably raw and realistic.  "It's just, people have these romantic projections they put on everything. That's not based on any kind of reality." - Jesse, Before Sunrise Even more than the multitudes of other incredible introspective bits of wisdom and philosophy that Celine and Jesse converse in across the three movies, this quote perhaps sums up the trilogy best of all. What are romance movies other than certain individuals' projections of what romance - often, idealized romance - is. Most o...

Review: Pierrot le Fou (1965)

Pierrot le Fou (1965) TLDR: Despite being a 'classic' and perhaps one of the quintessential European New Wave films, Godard's Pierrot le Fou is the antithesis to today's contemporary mainstream movie-going experience. It is an entertainingly goofy affair yet also baffling and often indecipherable. It is both an homage and also a commentary on the medium of film, and one that requires a good deal of contemplative afterthought to ponder what exactly it is you've just watched... I will admit that Pierrot is the first film by the legendary Jean-Luc Godard that I have seen. While I knew his status as an auteur and as one of the best of his craft, I didn't quite know his 'style' going into this film. As anyone who has seen some of Godard's will know, within twenty minutes or so, I was taken for quite the turn - I quickly felt like I was part of Ferdinand and Marianne's chaotic joy ride through the European countryside filled with romance, crime, non-se...