Skip to main content

Review: Toy Story 4 (2019)

Toy Story 4 (2019)

It is a true testament to the excellence of the Toy Story series that sometimes you actually wish for the films to not hit you as hard as they do. The visceral emotions that this series evokes is on par with anything you will find in a non-animated or 'adult' film. Woody being replaced by Buzz, Buzz realizing he is only a toy, Woody being shelved for his broken arm, Jessie and Lotso's backstories, and, of course, the tragic scene in Part 3 where our beloved toys accept their deathly fates taking each other by the hand and waiting for whatever comes next... goddamn... Like it's three predecessors, Toy Story 4 has its own debilitatingly-impactful moments - though I will surely not spoil them here. In fact, the general story and arc at the core of the newest instalment may be one that will strike home for adults more than for its adolescent audience making it a film that people of all ages should make an effort to go out and see.
Again, it would be a bit of a detriment to go into this film knowing too much about its plot. As we have all seen from the trailers, Toy Story 4 revolves around the toys' owner, Bonnie, creating a new toy for herself, Forky (Tony Hale), that she becomes overly attached to. When Forky becomes lost on a road trip the toys, notably Woody (Tom Hanks), make it their mission to retrieve Forky and return him to Bonnie. Along the way, Buzz (Tim Allen) and the rest of our crew meet up with new and old toys alike. The great combo of Keegan-Michael Key and Jordan Peele join the series, as well as Keeanu Reeves in a fantastic role, Annie Potts as the returning Bo Peep, and Christina Hendricks as the new antagonist, Gabby Gabby. As with most Toy Storys, Gabby Gabby's story is much more nuanced than the average 'villain' and your view of her will surely change by the film's end.
It is difficult discussing this film without spoiling much of the film's story. What I can say is that this film is brimming with heart, humour and also maturity. Even with its high-praised reception, there are many who are condoning Pixar for making this new instalment considering the trilogy was so-well wrapped up in Part 3. However, what you realize after seeing Part 4 is that this film was made because it has something to say - it bears a relevant and natural discussion following from the 'core trilogy' and one that applies to our, the audience's, lives too. Perhaps the criticisms would have been more appropriate if a different film was produced than the one we know have, but that is not the case and Toy Story 4 is just as good and maybe even better than some of the earlier ones. On a technical level, this film is absolutely gorgeous to behold. It has to be one of the most beautifully rendered CGI films ever made - just take in the rain falling in the opening scene or the fine detail of fabrics the characters are adorned in. This is 100% a film that every moviegoer should see - I would love to discuss it more when I am more certain everyone has seen it - and, in the meantime, I encourage people to discuss it with their friends, their children, and strangers (while the tears continue rolling down all of your cheeks) because it has so much to dissect, so much to learn from and so much to embrace. 

Comments

Popular posts from this blog

Review: How to With John Wilson (Season 1)

How to With John Wilson (Season 1) TLDR: It's hard to describe exactly what How To is or why exactly it works, but there's a certain point in every episode when the comedy begins to click and then the human element - the surprising poignancy and the everyman/woman relatability - comes out in spades. This documentary series is unlike anything else out there and absolutely worth your time. Who exactly is John Wilson? That's the first question that comes to mind when HBO's new documentary series is recommended to a new viewer. The name is in the show's title, and yet John Wilson is rather a nobody in the grand scheme of things as well as in the entertainment industry (at least he was prior to the becoming a bonafide hit). However, not long ago, contemporary comedy icon Nathan Fielder discovered Wilson and, after seeing his work and style, decided to jump on board as a producer for a new series made by Wilson.  So, again, what exactly is this show? Well, each episode of...

Review: Soul (2020)

Soul (2020) TLDR: For a year where many may feel like they have lost a little piece of their own, Soul has arrived to remind us all what's most important in life. This is a Pixar film that is arguably more important for adults to watch than kids: it is beautiful - in both story and art, it is quirky, it is heartfelt and, as these trying times endlessly push on, it reminds us that there is still a lot of good in this world to enjoy and reflect upon.  Note: some spoilers below. It takes a little bit of time to ease into Disney/Pixar's Soul. Though the film starts out in a lush and beautifully rendered NYC filled with delightful jazz music as we follow Joe around his everyday boroughs, things very quickly run astray. Suddenly, we are thrown into an abstract world filled with Picasso-like wiry characters and massively heady existential concepts like 'where do we come from', 'the great beyond', and much more. If it's not immediately apparent, it soon becomes clea...

Review: Whiplash (2012)

Whiplash (2012) TLDR: On multiple levels Whiplash is a brilliant film. A dual character study. An ode to jazz music supremacy. And a cautionary (or inspiring?) tale of what it takes to become the world's greatest. In an instant, Whiplash cements Damien Chazelle as one of today's youngest and most talented filmmakers brimming with artistry, intensity and craftsmanship. This is not one to miss. It was surprising that the first time I saw Whiplash, I left the theatre with a slightly nauseous feeling in my gut. Not because of the film itself - its visuals or audio per se - there is nothing to criticize about its radiance. It was in its simple yet utterly-effective and haunting discussion of what it takes to become the greatest in one's field that left me feeling torn and conflicted. While most of the film seems to be a cautionary or reprimanding tale of jazz instructor Fletcher's (JK Simmons) brutal methods of 'mentorship', its ending posits perhaps an equally stron...