Skip to main content

Review: Everest (2015)

Everest (2015)

I'm not going to lie, my expectations for Everest sat quite nicely at ground zero (around where I would imagine base camp to be) - I thought this was simply going to be yet another action-packed disaster-esque kind of film. And so, it was that I was pleasantly surprised by the quite-grounded nature of the film that built its action and suspense not through crazy special-effects action set-pieces but through character drama and the realistic threats that one would encounter summiting the highest peak on this planet.
It may be that part of my enjoyment of this film stemmed from my own recent experience as a few years ago I hiked up a mountain and got a small taste of the dismantling effect that cold and oxygen deprivation has on a body. No, what I climbed is nowhere close to the feat of Everest, but a lot of what is depicted in this film regarding preparation (both mental and physical) were things that our guides talked to us about on our own climb. As mentioned, in Everest the tension is mainly built around two facets - the elements and the lack of oxygen. At that elevation the cold and the wind are volatile entities to say the least. Pairing this with the diminishing oxygen available that makes it difficult to think straight or put one foot in front of the other and you have all of the suspense and tension builder you need to make an effective thriller. The film, at the beginning, sets the necessary amount of time in telling us just enough about each of the climbers and their personal motivations to create some investment in their causes. It also helps that the film has a remarkably extensive and talented ensemble cast present, including Jason Clarke, Josh Brolin, John Hawkes, Keira Knightley, Jake Gyllenhaal, Robin Wright, Emily Watson, Sam Worthington, Michael Kelly and Elizabeth Debicki. Oh, and I forgot to mention that the film is all based on a very true and tragic story that has previously been adapted into a number of best-selling novels (including by famed journalist/author Jon Krakauer who was one of the climbers during this trip). The only real major drawback I would say is that, towards the end, the film loses a bit of its momentum and falls into the over-dramatic and drawn-out exchanges that we are used to see in such disaster types of films. Other than that, I would quite highly recommend Everest to anyone interested in a classic man vs nature thriller or anyone interested in (what I perceive to be) a decent representation of what climbing a dangerous mountain is like. 

Comments

Popular posts from this blog

Review: The New Mutants (2020)

The New Mutants (2020) TLDR: A sad, dismal final chapter in Fox's once-acclaimed X-Men saga. The New Mutants shows promise in fragments, but its poor script and plot and often awkward execution makes for a sickly overall package that is quite fitting for this equally-sickly year that it has finally been released in... The New Mutants were an alt-X-Men team created in the early 80's in an effort to revamp and re-contemporize a new team of teenage X-Men. The new series became a smash-hit with new star mutants like Magik, Cannonball, Sunspot, Wolfsbane and Mirage, all of whom continue to headline Marvel comics to this day. Josh Boone's The New Mutants, which was announced more than five years ago and shot in 2017, has finally seen the light of day in 2020... The film seeks to adapt the team's beloved 'Demon Bear' storyline, while introducing audiences to this fresh team of mutant superheroes. In doing so, Boone tries to create an omelet-homage from the likes of Ste...

Review: The Before Trilogy (1995, 2004, 2013)

The Before Trilogy TLDR: As a whole, and in each of its separate parts, Richard Linklater's 'Before Trilogy' is the cinematic experience in its absolute finest form. The story of Celine and Jesse speaks to the core of the human experience - surprising joys, inevitable obstacles and eventual pains, and, most importantly, the mystery and intrigue of love - and it does it in an affecting way that, almost unlike any other film, is simultaneously theatrical and also remarkably raw and realistic.  "It's just, people have these romantic projections they put on everything. That's not based on any kind of reality." - Jesse, Before Sunrise Even more than the multitudes of other incredible introspective bits of wisdom and philosophy that Celine and Jesse converse in across the three movies, this quote perhaps sums up the trilogy best of all. What are romance movies other than certain individuals' projections of what romance - often, idealized romance - is. Most o...

Review: Whiplash (2012)

Whiplash (2012) TLDR: On multiple levels Whiplash is a brilliant film. A dual character study. An ode to jazz music supremacy. And a cautionary (or inspiring?) tale of what it takes to become the world's greatest. In an instant, Whiplash cements Damien Chazelle as one of today's youngest and most talented filmmakers brimming with artistry, intensity and craftsmanship. This is not one to miss. It was surprising that the first time I saw Whiplash, I left the theatre with a slightly nauseous feeling in my gut. Not because of the film itself - its visuals or audio per se - there is nothing to criticize about its radiance. It was in its simple yet utterly-effective and haunting discussion of what it takes to become the greatest in one's field that left me feeling torn and conflicted. While most of the film seems to be a cautionary or reprimanding tale of jazz instructor Fletcher's (JK Simmons) brutal methods of 'mentorship', its ending posits perhaps an equally stron...