Skip to main content

Review: Living with Yourself (2019)

Living With Yourself (2019)

In this golden age of television there are a few base requirements that are usually needed for me to choose to invest my time and get onboard with a new show. That is, the show has to: 1. have an original concept/premise; 2. be well written and acted (obviously); and 3. not be a procedural (I am so so over cop, medical and legal shows). Here are a few examples of recent shows that I love: Fleabag, Bojack Horseman, Russian Doll, The Marvellous Mrs. Maisel, Succession, Barry, Killing Eve, Rick and Morty, Watchmen and probably some others I can't think of right now. P.S. feel free to comment below if you want me to review any of these particular shows.
Living With Yourself is a perfect example of a show that more-than-meets my criteria. It is an intimate and insular show with a great premise, great writing and a fantastic performance by Paul Rudd (and also Aisling Bea). Some may actually find it a little too low-key as it is very much a character piece but I really adore it for this reason.

I don't want to spoil the show too much as most episodes are capped with cliffhangers. However, the basic premise is that Rudd's Miles Elliot discovers that there is an alternate version of himself living in his world. The narrow focus of this creative concept is the perfect vehicle to allow a dive into some heady themes about marriage, self-identity, self-improvement, depression and others, all of which this show tackles admirably. Additionally, with only 8 episodes of 25 minutes each, this show is ridiculously easy to binge, and, unlike many shows of yesteryear, this one does not overstay its welcome but makes you excited for more in future seasons.

Credit must be given to the show's creator, Timothy Greenberg, who wrote the entire series, and to Jonathan Dayton and Valerie Faris who co-directed all of the episodes. There is very much a unified and cohesive flow to the series that must be credited to the great work of these three individuals. As mentioned earlier too, I would say that this is Paul Rudd's finest work to date (playing multiple yet distinct versions of the same character) and clearly illustrates his capabilities as one of the best working actors today. For anyone who enjoys introspective, exceptionally well-made dramedies, I really recommend checking out Living with Yourself. 

Comments

Popular posts from this blog

Review: How to With John Wilson (Season 1)

How to With John Wilson (Season 1) TLDR: It's hard to describe exactly what How To is or why exactly it works, but there's a certain point in every episode when the comedy begins to click and then the human element - the surprising poignancy and the everyman/woman relatability - comes out in spades. This documentary series is unlike anything else out there and absolutely worth your time. Who exactly is John Wilson? That's the first question that comes to mind when HBO's new documentary series is recommended to a new viewer. The name is in the show's title, and yet John Wilson is rather a nobody in the grand scheme of things as well as in the entertainment industry (at least he was prior to the becoming a bonafide hit). However, not long ago, contemporary comedy icon Nathan Fielder discovered Wilson and, after seeing his work and style, decided to jump on board as a producer for a new series made by Wilson.  So, again, what exactly is this show? Well, each episode of...

Review: Soul (2020)

Soul (2020) TLDR: For a year where many may feel like they have lost a little piece of their own, Soul has arrived to remind us all what's most important in life. This is a Pixar film that is arguably more important for adults to watch than kids: it is beautiful - in both story and art, it is quirky, it is heartfelt and, as these trying times endlessly push on, it reminds us that there is still a lot of good in this world to enjoy and reflect upon.  Note: some spoilers below. It takes a little bit of time to ease into Disney/Pixar's Soul. Though the film starts out in a lush and beautifully rendered NYC filled with delightful jazz music as we follow Joe around his everyday boroughs, things very quickly run astray. Suddenly, we are thrown into an abstract world filled with Picasso-like wiry characters and massively heady existential concepts like 'where do we come from', 'the great beyond', and much more. If it's not immediately apparent, it soon becomes clea...

Review: Whiplash (2012)

Whiplash (2012) TLDR: On multiple levels Whiplash is a brilliant film. A dual character study. An ode to jazz music supremacy. And a cautionary (or inspiring?) tale of what it takes to become the world's greatest. In an instant, Whiplash cements Damien Chazelle as one of today's youngest and most talented filmmakers brimming with artistry, intensity and craftsmanship. This is not one to miss. It was surprising that the first time I saw Whiplash, I left the theatre with a slightly nauseous feeling in my gut. Not because of the film itself - its visuals or audio per se - there is nothing to criticize about its radiance. It was in its simple yet utterly-effective and haunting discussion of what it takes to become the greatest in one's field that left me feeling torn and conflicted. While most of the film seems to be a cautionary or reprimanding tale of jazz instructor Fletcher's (JK Simmons) brutal methods of 'mentorship', its ending posits perhaps an equally stron...