Skip to main content

Review: Cinema Paradiso (1988)

Cinema Paradiso (1988)

Cinema Paradiso is a film that has been on my watchlist for as long as I can remember. A short while ago, I finally had the chance to watch it and, what I can say is that, for any true movie lovers and those looking for an utterly heartwarming story, this is a film to watch. Writer/director, Giuseppe Tornatore's classic is a poignant ode to the magic of cinema and the nostalgic and important place it holds in so many of our lives. 
The film is told in a series of flashbacks, depicting the early days of the young and troublesome Salvatore 'Toto' in a small town in Italy shortly after the end of WWII. In the town of Giancaldo the main place of entertainment is the Cinema Paradiso - a local movie theatre, that shows classic films from all around the world. It is clear that the theatre holds a special place for the town, when, every evening, the building is backed to the brim with the town's residents and, across the board - from young children to the elderly - laughter, tears and frights are shared as everyone shares in the moviegoing experience. Toto, in particular, has a fascination with the cinema and he slowly forms a close bond with the theatre's projectionist, an older man named Alfredo. Over time, Alfredo becomes a father figure to young Toto, teaching him how the theatre and projector work while also teaching him more broadly about life. Toto's relationship with Alfredo is contrasted with that of the local priest whose job it is to censor any profane content in the films being shown, such as kissing or the showing of 'bare skin'.
As may be expected, events unfold in and around the lives of Toto, Alfredo and the Cinema Paradiso, which alter the pathway of their lives veering Toto in new directions he never anticipated. However,  as per usual, I will leave the rest a secret to be discovered so as not to spoil the magic of Cinema Paradiso. What I will say, is that there is warmth in every frame of this film that speaks to Tornatore's inherent love for all things cinema. There is a joy, a lightness and poignancy that anyone who loves film will be able to connect with and the ending in particular is one that will likely affect you deeply. I know that it is a scene I will not soon forget. 

Lastly, I must make mention of the incredible score of Ennio Morricone who sadly passed away earlier this week. Morricone is an absolute legend of cinema and, even prior to watching Cinema Paradiso, the score he wrote for this film was one that I listened to - and still listen to - very often.

Comments

Popular posts from this blog

Review: Sound of Metal (2020)

Sound of Metal (2020) TLDR: Easily one of the best films I have seen in a long while. Grounded by an absolutely stellar performance by Riz Ahmed (and co-star, Olivia Cooke), Darius Marder's Sound of Metal is a moving and deeply-empathetic look into the journey and struggle to find peace with one's self through the lens of a musician who loses his hearing.  Have no doubt, if you are not yet familiar with the names Riz Ahmed and Olivia Cooke you are about to be. Both actors - Ahmed in particular who leads the film - are transcendent in Darius Marder's Sound of Metal. Ahmed plays Ruben, a heavy metal drummer, in a duo group led by guitar/singer, Lou, played by Cooke. The two are as much a pair off-stage as they are on it. It is clear from early on that they are all that the other really has in life and they are content to travel across the country in their RV together playing shows and making ends meet as best they can. However, all goes awry when Ruben - who batters his eardr

Review: Soul (2020)

Soul (2020) TLDR: For a year where many may feel like they have lost a little piece of their own, Soul has arrived to remind us all what's most important in life. This is a Pixar film that is arguably more important for adults to watch than kids: it is beautiful - in both story and art, it is quirky, it is heartfelt and, as these trying times endlessly push on, it reminds us that there is still a lot of good in this world to enjoy and reflect upon.  Note: some spoilers below. It takes a little bit of time to ease into Disney/Pixar's Soul. Though the film starts out in a lush and beautifully rendered NYC filled with delightful jazz music as we follow Joe around his everyday boroughs, things very quickly run astray. Suddenly, we are thrown into an abstract world filled with Picasso-like wiry characters and massively heady existential concepts like 'where do we come from', 'the great beyond', and much more. If it's not immediately apparent, it soon becomes clea

Review: Pierrot le Fou (1965)

Pierrot le Fou (1965) TLDR: Despite being a 'classic' and perhaps one of the quintessential European New Wave films, Godard's Pierrot le Fou is the antithesis to today's contemporary mainstream movie-going experience. It is an entertainingly goofy affair yet also baffling and often indecipherable. It is both an homage and also a commentary on the medium of film, and one that requires a good deal of contemplative afterthought to ponder what exactly it is you've just watched... I will admit that Pierrot is the first film by the legendary Jean-Luc Godard that I have seen. While I knew his status as an auteur and as one of the best of his craft, I didn't quite know his 'style' going into this film. As anyone who has seen some of Godard's will know, within twenty minutes or so, I was taken for quite the turn - I quickly felt like I was part of Ferdinand and Marianne's chaotic joy ride through the European countryside filled with romance, crime, non-se