Skip to main content

Review: Palm Springs (2020)

Palm Springs (2020)

TLDR: An entertaining story of a man and woman stuck in a same-day loop, an entertaining story of a man and woman stuck in a same-day loop, an entertaining sto --

While not the first and definitely not the last take on the 'time loop' story, Palm Springs succeeds as a contemporary rom-com due to the strength of the two leads, the film's consistent laughs and shocks, and an underlying and compelling depth at the heart of the story. 

Palm Springs is yet another highly-recommended indie film that gives new life into a well worn genre and premise. The time loop setup has been attached to pretty much every type of story at this point from action to horror, drama to rom-com. Of course, one of the originals, Groundhog Day, may be the most similar to Palm Springs in its somewhat kitschy romantic comedy. However, Palm Springs has contemporary stylings in its honest and flawed characters, its edge and bouts of crudeness/violence, and its tendency to veer into both darker and heartfelt subject matter. 

At the heart of the film are Nyles and Sarah, played by Andy Samberg and Cristin Milioti, and it is largely the strong and emotive performances of the two that help to seal the film's success. Both actors confidently tow the spectrum across slapstick comedy, dramatic vulnerability, and relatability. While both actors have been around for some time, Palm Springs illustrates that both have much more to give to the medium and, no doubt, will have continuing fruitful careers ahead. Behind the two is a large supporting cast, all of whom are strong in their roles, notably including, the always great J.K. Simmons who shines in a small but important piece in the story.
The story itself is fairly straightforward, though it does not actually unfold in a chronologically straightforward manner. The 'loop' premise has its fair share of head-scratching facets but, at this point, that is ostensibly granted for a 'time loop' story. However, it is clear that certain plot points were written is as particular setup for visual gags and/or character arc payoff (see Simmons' character...). Nonetheless, the film remains thoroughly entertaining from beginning right to its end with a successful balance of comedy, drama and action. As well, under the surface lies a moving story about the meaning and drive we all carry within ourselves to live - one that (I hope) most everyone can connect with in one way or another. Palm Springs ultimately has that special something that caters to almost every kind of moviegoer, making it a great film to recommend seeing. 

Watch on Hulu

Comments

Popular posts from this blog

Review: Soul (2020)

Soul (2020) TLDR: For a year where many may feel like they have lost a little piece of their own, Soul has arrived to remind us all what's most important in life. This is a Pixar film that is arguably more important for adults to watch than kids: it is beautiful - in both story and art, it is quirky, it is heartfelt and, as these trying times endlessly push on, it reminds us that there is still a lot of good in this world to enjoy and reflect upon.  Note: some spoilers below. It takes a little bit of time to ease into Disney/Pixar's Soul. Though the film starts out in a lush and beautifully rendered NYC filled with delightful jazz music as we follow Joe around his everyday boroughs, things very quickly run astray. Suddenly, we are thrown into an abstract world filled with Picasso-like wiry characters and massively heady existential concepts like 'where do we come from', 'the great beyond', and much more. If it's not immediately apparent, it soon becomes clea...

Review: The Before Trilogy (1995, 2004, 2013)

The Before Trilogy TLDR: As a whole, and in each of its separate parts, Richard Linklater's 'Before Trilogy' is the cinematic experience in its absolute finest form. The story of Celine and Jesse speaks to the core of the human experience - surprising joys, inevitable obstacles and eventual pains, and, most importantly, the mystery and intrigue of love - and it does it in an affecting way that, almost unlike any other film, is simultaneously theatrical and also remarkably raw and realistic.  "It's just, people have these romantic projections they put on everything. That's not based on any kind of reality." - Jesse, Before Sunrise Even more than the multitudes of other incredible introspective bits of wisdom and philosophy that Celine and Jesse converse in across the three movies, this quote perhaps sums up the trilogy best of all. What are romance movies other than certain individuals' projections of what romance - often, idealized romance - is. Most o...

Review: Pierrot le Fou (1965)

Pierrot le Fou (1965) TLDR: Despite being a 'classic' and perhaps one of the quintessential European New Wave films, Godard's Pierrot le Fou is the antithesis to today's contemporary mainstream movie-going experience. It is an entertainingly goofy affair yet also baffling and often indecipherable. It is both an homage and also a commentary on the medium of film, and one that requires a good deal of contemplative afterthought to ponder what exactly it is you've just watched... I will admit that Pierrot is the first film by the legendary Jean-Luc Godard that I have seen. While I knew his status as an auteur and as one of the best of his craft, I didn't quite know his 'style' going into this film. As anyone who has seen some of Godard's will know, within twenty minutes or so, I was taken for quite the turn - I quickly felt like I was part of Ferdinand and Marianne's chaotic joy ride through the European countryside filled with romance, crime, non-se...