Skip to main content

Review: Eurovision Song Contest: The Story of Fire Saga (2020)

Eurovision Song Contest: The Story of Fire Saga (2020)

On paper, the Eurovision Song Contest is a perfect vehicle for a classic Will Ferrell comedy romp. The long-running and immensely popular real-life contest has that same oddball and quirky charm that Ferrell exudes in all of his successful films. Having him star as an Icelandic wannabe-pop star that allows for him to sing has a lot of inherent potential (for a retrospective, see his rendition of Por Ti Volare in Step Brothers). However, the film ultimately lacks the pieces that have led to Ferrell's beloved classics. Despite its promising premise, Eurovision is devoid of consistent laughs, its plot ambles and runs too long, and many of its cast seem a tad too out-of-place to sell the vision of this contest.

Lars (Ferrell) and Sigrit (Rachel McAdams) are a singing duo/best friends/possible siblings who have their sights set on the Eurovision contest, and, after a string of lucky mishaps the two get their shining opportunity to compete in it. At the contest are a variety of other contestants including Russia's Alexander Lemtov (Dan Stevens). Stevens is undoubtedly the best part of Eurovision - he taps into the eccentricity of the contest as well as the film's overall comedy more than anyone else in the film. Ferrell is very much his usual; his customary antics and the base visual of seeing him with a long flowing wig singing and speaking with a shoddy Icelandic accent bring in laughs for a short while. After that, he sinks into his norm - one that never hits its highs of yesteryear. McAdams carries a lot of the heart of the film and, while she has a few laughs here and there, it is clear that this kind of zany comedy is not her forte nor within her comfort zone. Similarly, Pierce Brosnan - Lars' father - and the few other cameos sprinkled throughout - are never remarkable or very funny.
Eurovision at its core is a Will Ferrell paint-by-numbers comedy. It has all of the pieces of some of his former hits, however, it lacks the inherent comedy, charm and quotable/memorable moments that would make it a classic. The film has that sliver of entertainment that will drag you through to its end, but it is there, at its predictable ending, when the dreary thought will settle in 'why did I just waste two hours on that'.

Comments

Popular posts from this blog

Review: The New Mutants (2020)

The New Mutants (2020) TLDR: A sad, dismal final chapter in Fox's once-acclaimed X-Men saga. The New Mutants shows promise in fragments, but its poor script and plot and often awkward execution makes for a sickly overall package that is quite fitting for this equally-sickly year that it has finally been released in... The New Mutants were an alt-X-Men team created in the early 80's in an effort to revamp and re-contemporize a new team of teenage X-Men. The new series became a smash-hit with new star mutants like Magik, Cannonball, Sunspot, Wolfsbane and Mirage, all of whom continue to headline Marvel comics to this day. Josh Boone's The New Mutants, which was announced more than five years ago and shot in 2017, has finally seen the light of day in 2020... The film seeks to adapt the team's beloved 'Demon Bear' storyline, while introducing audiences to this fresh team of mutant superheroes. In doing so, Boone tries to create an omelet-homage from the likes of Ste...

Review: The Before Trilogy (1995, 2004, 2013)

The Before Trilogy TLDR: As a whole, and in each of its separate parts, Richard Linklater's 'Before Trilogy' is the cinematic experience in its absolute finest form. The story of Celine and Jesse speaks to the core of the human experience - surprising joys, inevitable obstacles and eventual pains, and, most importantly, the mystery and intrigue of love - and it does it in an affecting way that, almost unlike any other film, is simultaneously theatrical and also remarkably raw and realistic.  "It's just, people have these romantic projections they put on everything. That's not based on any kind of reality." - Jesse, Before Sunrise Even more than the multitudes of other incredible introspective bits of wisdom and philosophy that Celine and Jesse converse in across the three movies, this quote perhaps sums up the trilogy best of all. What are romance movies other than certain individuals' projections of what romance - often, idealized romance - is. Most o...

Review: Whiplash (2012)

Whiplash (2012) TLDR: On multiple levels Whiplash is a brilliant film. A dual character study. An ode to jazz music supremacy. And a cautionary (or inspiring?) tale of what it takes to become the world's greatest. In an instant, Whiplash cements Damien Chazelle as one of today's youngest and most talented filmmakers brimming with artistry, intensity and craftsmanship. This is not one to miss. It was surprising that the first time I saw Whiplash, I left the theatre with a slightly nauseous feeling in my gut. Not because of the film itself - its visuals or audio per se - there is nothing to criticize about its radiance. It was in its simple yet utterly-effective and haunting discussion of what it takes to become the greatest in one's field that left me feeling torn and conflicted. While most of the film seems to be a cautionary or reprimanding tale of jazz instructor Fletcher's (JK Simmons) brutal methods of 'mentorship', its ending posits perhaps an equally stron...