Skip to main content

Review: The Beach Bum (2019)

The Beach Bum (2019)

Alright, alright, alright.

If there is one filmmaker that might unleash Matthew McConaughey in going full-out... Matthew McConaughey, that person has to be Harmony Korine. From start to finish, The Beach Bum might act as a sort of view into what the actor's pre-McConaissance life may have looked at when he lived his much-discussed, high-falutin partying lifestyle. This film, in all regards, really is a party. An alternate name for it may have been FUBAR, however, that is already taken by a Canadian indie-gem (which,  everyone should check out if you haven't already seen it).
The Beach Bum is no-doubt an entertaining film and you can see that in all of the cast who clearly had a great time making it. The question though is whether there is much more to the film than the base entertainment value of seeing Moondog (McConaughey) and his cohorts (which include, Isla Fisher, Snoop Dog, Zac Efron, Jonah Hill and, perhaps fittingly, Jimmy Buffet) partying it up, having copious amounts of sex, and ingesting an absurd amount of pot, booze and other illicits. Moondog is the ultimate hedonist and one whose ideology is simply to have fun and let all stresses in life roll easily off his shoulders. He, like most of the other characters, are very much caricatures, but though they are seen living in our world, they clearly operate on another level.

The film in some ways develops as a coming of age story for Moondog. However, even when major events happen in the life of Moondog, the assumedly impactful consequences that entail unfortunately have no lasting impact. For me, the result of this was that the film itself, like Moondog's experiences, had no tangible lasting impact or profoundness. At the end of the day though, perhaps that was Korine's intention all along. In interviews he has intimated that the film is somewhat of a response to the 2016 election - that yes, the country may be falling apart, but that doesn't mean we can't still get insanely high and have a good time. And, if that's the case, then the film does succeed - if you simply want to have a good time and not much more than The Beach Bum is for you.

Comments

Popular posts from this blog

Review: Whiplash (2012)

Whiplash (2012) TLDR: On multiple levels Whiplash is a brilliant film. A dual character study. An ode to jazz music supremacy. And a cautionary (or inspiring?) tale of what it takes to become the world's greatest. In an instant, Whiplash cements Damien Chazelle as one of today's youngest and most talented filmmakers brimming with artistry, intensity and craftsmanship. This is not one to miss. It was surprising that the first time I saw Whiplash, I left the theatre with a slightly nauseous feeling in my gut. Not because of the film itself - its visuals or audio per se - there is nothing to criticize about its radiance. It was in its simple yet utterly-effective and haunting discussion of what it takes to become the greatest in one's field that left me feeling torn and conflicted. While most of the film seems to be a cautionary or reprimanding tale of jazz instructor Fletcher's (JK Simmons) brutal methods of 'mentorship', its ending posits perhaps an equally stron...

Review: The Before Trilogy (1995, 2004, 2013)

The Before Trilogy TLDR: As a whole, and in each of its separate parts, Richard Linklater's 'Before Trilogy' is the cinematic experience in its absolute finest form. The story of Celine and Jesse speaks to the core of the human experience - surprising joys, inevitable obstacles and eventual pains, and, most importantly, the mystery and intrigue of love - and it does it in an affecting way that, almost unlike any other film, is simultaneously theatrical and also remarkably raw and realistic.  "It's just, people have these romantic projections they put on everything. That's not based on any kind of reality." - Jesse, Before Sunrise Even more than the multitudes of other incredible introspective bits of wisdom and philosophy that Celine and Jesse converse in across the three movies, this quote perhaps sums up the trilogy best of all. What are romance movies other than certain individuals' projections of what romance - often, idealized romance - is. Most o...

Review: Pierrot le Fou (1965)

Pierrot le Fou (1965) TLDR: Despite being a 'classic' and perhaps one of the quintessential European New Wave films, Godard's Pierrot le Fou is the antithesis to today's contemporary mainstream movie-going experience. It is an entertainingly goofy affair yet also baffling and often indecipherable. It is both an homage and also a commentary on the medium of film, and one that requires a good deal of contemplative afterthought to ponder what exactly it is you've just watched... I will admit that Pierrot is the first film by the legendary Jean-Luc Godard that I have seen. While I knew his status as an auteur and as one of the best of his craft, I didn't quite know his 'style' going into this film. As anyone who has seen some of Godard's will know, within twenty minutes or so, I was taken for quite the turn - I quickly felt like I was part of Ferdinand and Marianne's chaotic joy ride through the European countryside filled with romance, crime, non-se...