Skip to main content

Review: Living in Oblivion (1995)

Living in Oblivion (1995)

This one's for those that enjoy off-kilter comedies and are interested in the film-making process, specifically that of indie films that have the tendency to have everything go on while filming. The film has less of a forward-moving plot and is more of a snapshot view into the filming of three separate scenes of an indie feature. It is quirky and absurd, entertaining and also interesting.
As far as films go, this is really the only film I can think of that really goes into the minutiae and the technicalities of film-making such as light meters, terminology and call-out cues, blocking, framing, script supervisors, the many many takes that go into filming a single scene, and much more. It is quite fascinating seeing all of these elements woven into a comedy.

The film is directed and written by former Jim Jarmusch DP, Tom DiCello, and is an early outing for a number of now-very recognizable faces including Steve Buscemi, Catherine Keener, Peter Dinklage and Dermot Mulroney. While watching it, you can kind of get a sense of why the film wasn't a breakout hit as it has a quite unconventional structure and the pacing/dialogue does not have that Hollywood refinement. This is not to say that the film doesn't have its indie charm though. I recommend it for anyone looking for a quirky, outside-the-box comedy,
those who are fans of any of the aforementioned stars or interested in what film-making is really like.

Comments

Popular posts from this blog

Review: Soul (2020)

Soul (2020) TLDR: For a year where many may feel like they have lost a little piece of their own, Soul has arrived to remind us all what's most important in life. This is a Pixar film that is arguably more important for adults to watch than kids: it is beautiful - in both story and art, it is quirky, it is heartfelt and, as these trying times endlessly push on, it reminds us that there is still a lot of good in this world to enjoy and reflect upon.  Note: some spoilers below. It takes a little bit of time to ease into Disney/Pixar's Soul. Though the film starts out in a lush and beautifully rendered NYC filled with delightful jazz music as we follow Joe around his everyday boroughs, things very quickly run astray. Suddenly, we are thrown into an abstract world filled with Picasso-like wiry characters and massively heady existential concepts like 'where do we come from', 'the great beyond', and much more. If it's not immediately apparent, it soon becomes clea...

Review: The Before Trilogy (1995, 2004, 2013)

The Before Trilogy TLDR: As a whole, and in each of its separate parts, Richard Linklater's 'Before Trilogy' is the cinematic experience in its absolute finest form. The story of Celine and Jesse speaks to the core of the human experience - surprising joys, inevitable obstacles and eventual pains, and, most importantly, the mystery and intrigue of love - and it does it in an affecting way that, almost unlike any other film, is simultaneously theatrical and also remarkably raw and realistic.  "It's just, people have these romantic projections they put on everything. That's not based on any kind of reality." - Jesse, Before Sunrise Even more than the multitudes of other incredible introspective bits of wisdom and philosophy that Celine and Jesse converse in across the three movies, this quote perhaps sums up the trilogy best of all. What are romance movies other than certain individuals' projections of what romance - often, idealized romance - is. Most o...

Review: Pierrot le Fou (1965)

Pierrot le Fou (1965) TLDR: Despite being a 'classic' and perhaps one of the quintessential European New Wave films, Godard's Pierrot le Fou is the antithesis to today's contemporary mainstream movie-going experience. It is an entertainingly goofy affair yet also baffling and often indecipherable. It is both an homage and also a commentary on the medium of film, and one that requires a good deal of contemplative afterthought to ponder what exactly it is you've just watched... I will admit that Pierrot is the first film by the legendary Jean-Luc Godard that I have seen. While I knew his status as an auteur and as one of the best of his craft, I didn't quite know his 'style' going into this film. As anyone who has seen some of Godard's will know, within twenty minutes or so, I was taken for quite the turn - I quickly felt like I was part of Ferdinand and Marianne's chaotic joy ride through the European countryside filled with romance, crime, non-se...