Skip to main content

Review: Pet Semetary (2019)

Pet Semetary (2019)

God, cats are just the fucking creepiest...

A second cinematic re-telling of Stephen King's classic 1983 horror novel, the haunting story revolves around the Creed family who have just moved into a rural home near the town of Ludlow. Upon arriving, the family discovers the titular 'pet semetary', an old graveyard where children have ritualistically been burying their deceased pets for many generations. As one can imagine, the 'semetary' is more than a little bit haunted...
For those who are unfamiliar with the story, to go into further detail would spoil much of the plot and the horrors that befall Louis Creed and his family. Suffice it to say that the narrative, and the film's main theme, revolves around one of the truest nightmares that a family could suffer. Coincidentally, I actually read the original novel last year (not knowing that a film remake was already in the works) and so it was difficult not to compare this film with the novel as I was watching it.

For the most part, Pet Semetary succeeds as both a horror film and as a remake of the classic story. I found the first half of the film particularly strong as many of the horror elements slowly seep into the lives of the Creeds. The three leads - Jason Clarke, Amy Seimetz and John Lithgow - all put in strong and subtle performances throughout. The daughter, Ellie, played Jete Laurence, who plays an important role, I struggled with a bit more (as sometimes is the case with child actors). Though the film is relatively faithful to its source material, it does take a few notable divergences that will be the basis for much discussion as to whether they benefit the overall film.
One of the main issues I had was the film's uneven pacing, which really begins at around the halfway mark. The film is absolutely brimming with the classic slowly-building suspense scenes that culminate in the jump-scares. I personally found the film to be almost too indulgent with these scenes as the scenes are frequent and overly long and end up taking up a large portion of the film's runtime. I thought that some of the emotional gravitas of the characters was lacking - many of the important emotional developments occur quite quickly - and, therefore, I think that the film would have benefited from more screen time being given to the quieter character moments instead of the jump-scares. For those that like creepy cats, Stephen King, and good horror, be sure to check out Pet Semetary.

Comments

Popular posts from this blog

Review: The New Mutants (2020)

The New Mutants (2020) TLDR: A sad, dismal final chapter in Fox's once-acclaimed X-Men saga. The New Mutants shows promise in fragments, but its poor script and plot and often awkward execution makes for a sickly overall package that is quite fitting for this equally-sickly year that it has finally been released in... The New Mutants were an alt-X-Men team created in the early 80's in an effort to revamp and re-contemporize a new team of teenage X-Men. The new series became a smash-hit with new star mutants like Magik, Cannonball, Sunspot, Wolfsbane and Mirage, all of whom continue to headline Marvel comics to this day. Josh Boone's The New Mutants, which was announced more than five years ago and shot in 2017, has finally seen the light of day in 2020... The film seeks to adapt the team's beloved 'Demon Bear' storyline, while introducing audiences to this fresh team of mutant superheroes. In doing so, Boone tries to create an omelet-homage from the likes of Ste...

Review: The Before Trilogy (1995, 2004, 2013)

The Before Trilogy TLDR: As a whole, and in each of its separate parts, Richard Linklater's 'Before Trilogy' is the cinematic experience in its absolute finest form. The story of Celine and Jesse speaks to the core of the human experience - surprising joys, inevitable obstacles and eventual pains, and, most importantly, the mystery and intrigue of love - and it does it in an affecting way that, almost unlike any other film, is simultaneously theatrical and also remarkably raw and realistic.  "It's just, people have these romantic projections they put on everything. That's not based on any kind of reality." - Jesse, Before Sunrise Even more than the multitudes of other incredible introspective bits of wisdom and philosophy that Celine and Jesse converse in across the three movies, this quote perhaps sums up the trilogy best of all. What are romance movies other than certain individuals' projections of what romance - often, idealized romance - is. Most o...

Review: Whiplash (2012)

Whiplash (2012) TLDR: On multiple levels Whiplash is a brilliant film. A dual character study. An ode to jazz music supremacy. And a cautionary (or inspiring?) tale of what it takes to become the world's greatest. In an instant, Whiplash cements Damien Chazelle as one of today's youngest and most talented filmmakers brimming with artistry, intensity and craftsmanship. This is not one to miss. It was surprising that the first time I saw Whiplash, I left the theatre with a slightly nauseous feeling in my gut. Not because of the film itself - its visuals or audio per se - there is nothing to criticize about its radiance. It was in its simple yet utterly-effective and haunting discussion of what it takes to become the greatest in one's field that left me feeling torn and conflicted. While most of the film seems to be a cautionary or reprimanding tale of jazz instructor Fletcher's (JK Simmons) brutal methods of 'mentorship', its ending posits perhaps an equally stron...