Skip to main content

Review: What We Do In The Shadows & The Twilight Zone (2019)

New TV Reviews (Early 2019)

What We Do In The Shadows (2019)

For those that enjoyed the film, the new TV reboot is an absolute success. It may not have any of the same stars on-screen but original creators, Taika Waititi and Jemaine Clemant (gotta love both of them), are at it once again with producing, writing and directing duties. The show, taking place in the same universe as the film, takes the same formula and transports this new family of vampires to New York City. The humour is both similar and fresh enough to appeal to fans of the original and newcomers alike. The core cast is fantastic - playing similar caricature-esque archetypes while also imbuing the world's lore with some new surprises, such as with Colin Robinson, the 'Energy Sucking Vampire' - 'we all know one of them'. There have only been two episodes released so far and therefore everyone still has time to jump on-board with this additional sure-to-be-hit by FX.

The Twilight Zone (2019)

It is always difficult to review an anthology series without discussing each episode, however, here, I will try to give my initial opinion on the first two episodes that have been released so far. Firstly, Jordan Peele stepping into the lofty shoes of Rod Serling and acting as this iteration of the show's executive producer couldn't be a more perfect fit. Peele, as we know, is an acolyte of the social horror/thriller genre and he clearly understands the draw and foundations that The Twilight Zone the TV behemoth that it is. Though there are bound to be some weaker installments of the show, one can be confident that with Peele spearheading it behind the scenes, there will equally be many stellar episodes that come out.
So far, the two episodes released are 'The Comedian', starring Kumail Nanjiani and 'Nightmare at 30,000 Feet', starring Adam Scott. Both episodes very much the feeling of classic Twlight Zone. The Comedian revolves around a struggling comedian who learns that he must make his sets more personal to connect with his audience. Along the way he learns that, in doing so, he must sacrifice things closest to him... Nightmare is a retelling of the very famous episode starring William Shatner as he is tormented by a creature on the wing of the aircraft that only he can see. This re-telling similarly contains a threat to the plane that only Scott's character can see... It is fun that the show clearly has a substantial budget and the stories are told with high production value, including the big-name stars that star in the episodes. However, both episodes lose steam partway through and 'Nightmare' specifically really does not stick the landing (no pun intended...). Overall, I am intrigued by the show and look forward to more episodes as I know soon enough there will be episodes that are must-sees.





Comments

Popular posts from this blog

Review: How to With John Wilson (Season 1)

How to With John Wilson (Season 1) TLDR: It's hard to describe exactly what How To is or why exactly it works, but there's a certain point in every episode when the comedy begins to click and then the human element - the surprising poignancy and the everyman/woman relatability - comes out in spades. This documentary series is unlike anything else out there and absolutely worth your time. Who exactly is John Wilson? That's the first question that comes to mind when HBO's new documentary series is recommended to a new viewer. The name is in the show's title, and yet John Wilson is rather a nobody in the grand scheme of things as well as in the entertainment industry (at least he was prior to the becoming a bonafide hit). However, not long ago, contemporary comedy icon Nathan Fielder discovered Wilson and, after seeing his work and style, decided to jump on board as a producer for a new series made by Wilson.  So, again, what exactly is this show? Well, each episode of...

Review: Soul (2020)

Soul (2020) TLDR: For a year where many may feel like they have lost a little piece of their own, Soul has arrived to remind us all what's most important in life. This is a Pixar film that is arguably more important for adults to watch than kids: it is beautiful - in both story and art, it is quirky, it is heartfelt and, as these trying times endlessly push on, it reminds us that there is still a lot of good in this world to enjoy and reflect upon.  Note: some spoilers below. It takes a little bit of time to ease into Disney/Pixar's Soul. Though the film starts out in a lush and beautifully rendered NYC filled with delightful jazz music as we follow Joe around his everyday boroughs, things very quickly run astray. Suddenly, we are thrown into an abstract world filled with Picasso-like wiry characters and massively heady existential concepts like 'where do we come from', 'the great beyond', and much more. If it's not immediately apparent, it soon becomes clea...

Review: Whiplash (2012)

Whiplash (2012) TLDR: On multiple levels Whiplash is a brilliant film. A dual character study. An ode to jazz music supremacy. And a cautionary (or inspiring?) tale of what it takes to become the world's greatest. In an instant, Whiplash cements Damien Chazelle as one of today's youngest and most talented filmmakers brimming with artistry, intensity and craftsmanship. This is not one to miss. It was surprising that the first time I saw Whiplash, I left the theatre with a slightly nauseous feeling in my gut. Not because of the film itself - its visuals or audio per se - there is nothing to criticize about its radiance. It was in its simple yet utterly-effective and haunting discussion of what it takes to become the greatest in one's field that left me feeling torn and conflicted. While most of the film seems to be a cautionary or reprimanding tale of jazz instructor Fletcher's (JK Simmons) brutal methods of 'mentorship', its ending posits perhaps an equally stron...